This is what happens to people like Ed.
We had a good rain last night for the first time since last spring. All is wet and happy this morning. From my glass office I watch my neighbors decorate their homes for Halloween as the broken clouds overhead play tag with the possibility of more rain.
When my daughter was young, I loved walking the neighborhoods with her. Then we moved here, to a housing tract on the edge of a tiny rural town, and we learned that every family in the countryside drives here for trick-or-treating. Said daughter didn’t want Mom to tag along anymore. I have been stuck for the past 12 years answering the insistent doorbell to hordes of ghouls and the occasional cute ballerina. It drives my dogs batty. And for some reason, it drives me batty too. My husband likes it, so he’s the greeter while I hang with the dogs in the bedroom and eat my own Halloween candy.
To ride the Totalfeckineegit’s internationally-famous Poetry Bus this week, we must deliver something ghoulish. I would like to deliver the hundreds of greedy children who will descend on us Halloween night. I would like to frighten them away from my house. But all I can do is howl. So I shall howl, and you may investigate other howlers on the Poetry Bus at devious Liz’s place.
Ed, You Talk Too Much
“Women of 20 are as mature as a man of 40,” Ed declares
perched on the edge of my couch in his gray running suit.
His hands play imaginary piano on his knees. The right leg
twitches. “But I wonder,” he says, “when she says, ‘Ed,
you're just not mature enough’—What does that mean?”
I stare at him, feeling the pen like a sword in my hand.
“I don't want to talk about that,” I say, taking a long puff
off the fake cigarette I have made from a shortened straw,
a bit of tissue for drag and a bright red painted tip.
When I ignore him, Ed crosses the patio and stares out
the barred open windows at Santa Barbara, then leaps
on the stationary bike for a furious ride. Schizophrenic,
he has spent the better part of the afternoon wailing
in his room, two doors down from mine. He returns
to my couch and stares at me, as I puff on my straw
cigarette and write about him. A girl wanders in
to start a load of laundry, tears puffing up her face
like they have mine, a soul sister of the broken mind.
Not a word is spoken. Ed watches her and I watch Ed,
and when she leaves, he smiles. “Alex is sure cute,
isn’t she?” he asks. “I wonder how old she is. Do you
think she’s 20?” The drugs have kicked in, and I feel
the cool, sweet Santa Barbara air, a hint of salt from
the sea to the west. I rest my puffy eyes on cypress
trees beyond the window, a procession of palms
running through them, and I admire the red flowers
on some exotic shrub I don't know, a rich blood red
amid the green. Ed’s mindless chatter splits the peace
of this place like a buzz saw tearing at the bushes,
and my pen becomes a sword in my hand lashing
at his mouth, writing my hatred on his face. Red
flowers bloom in his eyes when he understands
finally that silence is everything, silence is better
than contact with humanity, even his, even mine.
When my daughter was young, I loved walking the neighborhoods with her. Then we moved here, to a housing tract on the edge of a tiny rural town, and we learned that every family in the countryside drives here for trick-or-treating. Said daughter didn’t want Mom to tag along anymore. I have been stuck for the past 12 years answering the insistent doorbell to hordes of ghouls and the occasional cute ballerina. It drives my dogs batty. And for some reason, it drives me batty too. My husband likes it, so he’s the greeter while I hang with the dogs in the bedroom and eat my own Halloween candy.
To ride the Totalfeckineegit’s internationally-famous Poetry Bus this week, we must deliver something ghoulish. I would like to deliver the hundreds of greedy children who will descend on us Halloween night. I would like to frighten them away from my house. But all I can do is howl. So I shall howl, and you may investigate other howlers on the Poetry Bus at devious Liz’s place.
Ed, You Talk Too Much
“Women of 20 are as mature as a man of 40,” Ed declares
perched on the edge of my couch in his gray running suit.
His hands play imaginary piano on his knees. The right leg
twitches. “But I wonder,” he says, “when she says, ‘Ed,
you're just not mature enough’—What does that mean?”
I stare at him, feeling the pen like a sword in my hand.
“I don't want to talk about that,” I say, taking a long puff
off the fake cigarette I have made from a shortened straw,
a bit of tissue for drag and a bright red painted tip.
When I ignore him, Ed crosses the patio and stares out
the barred open windows at Santa Barbara, then leaps
on the stationary bike for a furious ride. Schizophrenic,
he has spent the better part of the afternoon wailing
in his room, two doors down from mine. He returns
to my couch and stares at me, as I puff on my straw
cigarette and write about him. A girl wanders in
to start a load of laundry, tears puffing up her face
like they have mine, a soul sister of the broken mind.
Not a word is spoken. Ed watches her and I watch Ed,
and when she leaves, he smiles. “Alex is sure cute,
isn’t she?” he asks. “I wonder how old she is. Do you
think she’s 20?” The drugs have kicked in, and I feel
the cool, sweet Santa Barbara air, a hint of salt from
the sea to the west. I rest my puffy eyes on cypress
trees beyond the window, a procession of palms
running through them, and I admire the red flowers
on some exotic shrub I don't know, a rich blood red
amid the green. Ed’s mindless chatter splits the peace
of this place like a buzz saw tearing at the bushes,
and my pen becomes a sword in my hand lashing
at his mouth, writing my hatred on his face. Red
flowers bloom in his eyes when he understands
finally that silence is everything, silence is better
than contact with humanity, even his, even mine.